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Jen Bervin: Shift Rotate Reflect
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Jen Bervin: Shift Rotate Reflect : Selected Works (1997–2020)

Book Details

Format Hardback or Cased Book
ISBN-10 0945558457
ISBN-13 9780945558453
Publisher Illinois State University, University Galleries
Imprint Illinois State University, University Galleries
Country of Manufacture GB
Country of Publication GB
Publication Date Dec 1st, 2022
Print length 192 Pages
Weight 1,094 grams
Dimensions 26.20 x 22.20 x 2.90 cms
Product Classification: Individual artists, art monographs
Ksh 6,750.00
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“Bervin produces fastidious and often collaboratively made artifacts that resist scholarly conclusiveness for the purpose of illuminating the process of understanding.” –Jessica Baran, ArtforumPublished for the first survey exhibition of Connecticut-based poet and visual artist Jen Bervin (born 1972)—well known for her artist’s book Nets and her work on/with Emily Dickinson—Shift Rotate Reflect features 23 individual and collaborative projects from 1997 to 2020: installations, artist's books, embroideries, videos, drawings, prints and performances that demonstrate the range of Bervin’s interdisciplinary researches, from the legacies of women artists and writers to relationships between text and textiles and abstractions of language and landscape. The book features an essay by academic Jayme Collins, a conversation on the multichannel video and textile installation Su Hui’s Picture of the Turning Sphere with collaborator Charlotte Lagarde and Jen Yee, and a newly commissioned 20-page discussion with writer Claudia Rankine.

“Bervin produces fastidious and often collaboratively made artifacts that resist scholarly conclusiveness for the purpose of illuminating the process of understanding.” –Jessica Baran, Artforum

Published for the first survey exhibition of Connecticut-based poet and visual artist Jen Bervin (born 1972)—well known for her artist’s book Nets and her work on/with Emily Dickinson—Shift Rotate Reflect features 23 individual and collaborative projects from 1997 to 2020: installations, artist''s books, embroideries, videos, drawings, prints and performances that demonstrate the range of Bervin’s interdisciplinary researches, from the legacies of women artists and writers to relationships between text and textiles and abstractions of language and landscape. The book features an essay by academic Jayme Collins, a conversation on the multichannel video and textile installation Su Hui’s Picture of the Turning Sphere with collaborator Charlotte Lagarde and Jen Yee, and a newly commissioned 20-page discussion with writer Claudia Rankine.


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